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PREFACE
Spring：Narration
Article: Wang Yanjun
In this exhibition, Zhang Kexue has suspended the direct recount and narration of the characters, using the spring scenery as the narration to sing. Bright, soft colors dissolve the solid shadows of the past, and the theatrical scene collapses into a hazy, flat horizon. The fantasy journey of the fat man and the white goose exits through the sofa, leaving only the single close-ups of flowers and owls with bright colors and ambiguous expressions, leading the line of sight to the unseen front.
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